Skypan Pictures Presents

SOLARIS

A Cinematic LUT Library

Allow your colors to tell the story.

20Cinematic Looks
8Camera Families
101Utility LUTs
Camera Packs — $24

Full pack includes all 8 camera families

Or choose a single camera pack: Sony, ARRI, RED, Canon, Blackmagic, Panasonic

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See It In Action

From LOG. To Cinema.

Ten looks. Ten worlds.

Ungraded log footage is a blank canvas — flat, lifeless, waiting. What follows is what SOLARIS does to it.

SOLARIS — Cinematic LUT Library

KILLERS OF THE FLOWER MOON

Every transition in this video is a real export from the SOLARIS pack. Minor adjustments explained in the README.

Footage shot on Sony FX3. S-Log3 input version shown.

The Collection

20 Signature Looks

Each LUT in SOLARIS is built from the color science of a specific film or series — pixel-analyzed, technically verified, and named only for works whose grades are genuinely distinct and universally recognized.

01

SICARIO 2015

Scorched earth · Red dominant · Sat 0.62

02

BLADERUNNER 1982

Teal shadows · Warm practicals · Neon noir

03

SEVERANCE 2025

Blue pulled hardest · Amber domestic · Firelit warmth

04

KILLERS OF THE FLOWER MOON 2023

Three-zone split · Cool shadows · Copper highlights

05

THE BATMAN 2022

Chiaroscuro split · Cold darks · Warm practicals

06

DUNE: PART TWO 2024

Desert amber · Red boosted universally

07

ZODIAC 2007

Red suppressed · Cool steel-blue · Clinical precision

08

THE REVENANT 2015

Luminance split · Green shadows · Ember highlights

09

PEAKY BLINDERS: THE IMMORTAL MAN 2025

Copper highlights · Deep blacks · Period restraint · Sat 0.30

10

GANGS OF NEW YORK 2002

Teal foreground · Amber skin · Blue extracted

11

SUCCESSION — SEASON 2 2019

Near-grey midtones · Lowest sat in pack · Old money cold

12

GONE GIRL 2014

Teal shadows · Amber practicals · Clinical skin

13

HEREDITARY 2018

Green extracted universally · Red-magenta world

14

THE MATRIX 1999

Green in the highlights · Cool blue mids · Simulation light

15

BABYLON 2022

Blue annihilated · Sat 0.70 · Highest in pack

16

TRUE DETECTIVE — SEASON 1 2014

Blue crushed in every zone · Louisiana heat

17

SE7EN 1995

Green injected into light · Red crushed · Highest contrast

18

PARASITE 2019

Red extracted universally · Green dominant

19

FIGHT CLUB 1999

Desaturated grit · Green undertone · Urban decay

20

MOBLAND 2025

Green from shadows · Blue from highlights · London amber

Compatibility

Every LUT. Every Camera.

Each look ships with input-specific versions covering every major camera system and log format. One pack. Your entire workflow.

Sony

S-Log2 · S-Log3

ARRI

LogC

RED

IPP2 Log3G10 · REDLogFilm

Blackmagic

BMDFilm

Canon

C-Log · C-Log2 · C-Log3

Panasonic

V-Log · V-Log L

Apple

Apple Log

Standard

Log · Rec.709

What's Included

A Complete Professional Library

Not a random folder of files. A carefully organized LUT system built for production use.

Creative Looks

  • • 20 signature cinematic looks in .cube format
  • • Input-specific versions for every major camera family
  • • Rec.709 versions for already-normalized footage
  • • Universal .cube format for all NLEs
  • • Each look refined across hundreds of real productions

101 Utility & Conversion LUTs

Alexa Log-C → Rec.709 · BMDFilm 4K → Alexa Log-C · BMDFilm BMCC, BMPC, BMPCC, URSA, URSA 4.6K → Rec.709 · Canon C-Log → Rec.709 · DJI D-Log → Rec.709 · Fujifilm F-Log → Rec.709 · GoPro Protune → Video · Panasonic Cine-D → Rec.709 · Panasonic V-Log → Rec.709 · REDlog → Rec.709 · REDlogFilm → Rec.709 · Sony S-Log2 → Rec.709 · Sony S-Log3 → Rec.709 · Technicolor CineStyle → Rec.709 · Generic LOG → Rec.709 · Generic Rec.709 → LOG · Generic Rec.709 → Alexa Log-C · Divers

Rec.709 Main Looks

  • • Dedicated versions for color-managed workflows
  • • Safe to apply on footage already converted to Rec.709
  • • No blown contrast, no runaway saturation
  • • Essential for editors working in normalized timelines

Documentation

  • • Full README with folder navigation guide
  • • Explains when to use log vs. Rec.709 versions
  • • Installation guide for Premiere, Resolve, FCPX, Avid
  • • Workflow recommendations per camera system

File Formats

Built for Every NLE

Universal format. Maximum compatibility.

.cube

Primary Format

The industry standard. Works in Adobe Premiere Pro, DaVinci Resolve, Final Cut Pro, AVID Media Composer, and virtually every professional color tool.

65³

Coming Soon

High-resolution 65×65×65 .cube versions are in development as a premium upgrade — offering smoother interpolation and cleaner gradient performance for demanding workflows.

Organization

Folder Structure

📁 SOLARIS — Cinematic LUT Library
├── 📁 01 — Standard Log
├── 📁 02 — Sony  (S-Log2 · S-Log3)
├── 📁 03 — RED  (IPP2 · REDLogFilm)
├── 📁 04 — Blackmagic  (BMDFilm)
├── 📁 05 — Canon  (C-Log · C-Log2 · C-Log3)
├── 📁 06 — ARRI  (LogC)
├── 📁 07 — Panasonic  (V-Log · V-Log L)
├── 📁 08 — Rec.709 Main Looks
├── 📁 09 — Utility & Conversion LUTs  ← 101 LUTs across 22 categories
├── 📁 10 — Installation Guide
└── 📄 README.pdf

Who It's For

Built for Working Filmmakers

01

Editors & Colorists

You need reliable, fast looks that hold up under scrutiny. SOLARIS gives you a production-tested starting point — not a preset dump.

02

DPs & Cinematographers

Use the camera-specific input families to accurately preview your grade on set or in review. Works with your exact camera system.

03

Content Creators

You've converted your footage to Rec.709 and need cinematic looks that don't crush your image. The dedicated Rec.709 folder was built for you.

The Story

Built Inside Real Productions

These LUTs were built inside real productions. SOLARIS is not a bedroom project. It's the result of a decade of refining color across broadcast documentaries, commercial work, and original film productions — purchased LUT pack after LUT pack, modified and rebuilt until they performed on actual cameras in actual lighting conditions.

Production Credits

  • Documentary work on Amazon Prime Video
  • Distributed via Apple TV
  • Distributed via Tubi
  • Award-winning productions · International distribution
  • 10+ years of color science refinement in professional production

Questions

Frequently Asked

SOLARIS works in any software that accepts .cube LUT files — including Adobe Premiere Pro, DaVinci Resolve, Final Cut Pro X, Avid Media Composer, After Effects, Photoshop, and most professional NLEs and color tools.

Each folder is labeled by camera system (Sony, Canon, RED, Blackmagic, ARRI, Standard Log). If your footage is already converted to Rec.709 or you're working in a normalized timeline, use the dedicated Rec.709 Main Looks folder. The included README walks through every scenario.

Creative LUTs are the 20 signature cinematic looks — these are what you apply to achieve the visual style. Utility LUTs are the 101 technical conversion tools included in the pack: log-to-Rec.709 transforms for every major camera system (Sony, ARRI, RED, Blackmagic, Canon, Panasonic, DJI, Fujifilm, GoPro, Technicolor, and more), plus generic log utilities for mixed-format workflows.

Standard LUTs use a 33×33×33 grid. The 65×65×65 version uses a higher-resolution grid for smoother interpolation and cleaner gradients in demanding workflows. It's in development as a premium upgrade — buyers who purchase now will receive advance access when it releases.

Yes. $49 — no subscriptions, no license fees, no watermarks. Yours to use commercially on any production, forever.

Allow your colors to tell the story.

Complete Library

Full Pack

$49

  • • All 20 cinematic looks
  • • All 8 camera families included
  • • 101 utility & conversion LUTs
  • • Rec.709 main looks folder
  • • .cube formats

Single Camera

Camera Pack

$24

  • • All 20 cinematic looks
  • • One camera family only
  • • .cube formats
  • • Perfect if you shoot one system

Choose your camera:

One-time purchase · Instant download · Commercial use included

20 Cinematic Looks8 Camera Families.cube FormatRec.709 Versions101 Utility LUTsFull Documentation

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